What we read

Publications from the project

For a separate list of books, articles and presentations by WordWeb/IDEMproject staff and associated researchers see Publications.

Research Bibliography

WordWeb/IDEM will offer contextualized access to research results that have been generated in many different countries and academic communities from the eighteenth century to the present. Here is a list of sources from various fields that have helped us to find intertextual references in early modern plays:

            Literary and cultural studies: sources and reception history of early modern drama
            Shakespeare Studies: sources and reception history of his works
            Annotated Editions: early modern plays and non-dramatic texts
            

The earliest titles in this list are the 1616 edition of Ben Jonson's works, in which he annotates the Classical sources of his own plays, Dodsley's Selection of Old Plays (1744), a Milton edition from 1749 and a Horace commentary from 1751 which point out Classical Shakespeare references and early Shakespeare quotations, for example in Paradise Lost. The most substantial group of books are PhDs supervised by the Strasbourg professor Emil Koeppel (1852-1917), himself an extremely widely-read authority on the sources of Shakespeare and his contemporaries.

Literary and Cultural Studies
Adams, Joseph Quincy Jr. and Jesse Franklin Bradley, eds. The Jonson Allusion Book: A Collection of Allusions to Ben Jonson from 1597 to 1700. New Haven, Yale University Press, 1922.
Anon. The Annual Register. Or, A View of the History, Politics, and Literature, for the Year 1767. London: J. Dodsley, 1779.
Anon. The Cambridge History of English and American Literature in 18 Volumes (1907-21). Volume V. The Drama to 1642, Part One. IV. Early English Tragedy. § 19. The relations between Locrine and Selimus. Quoted from https://www.bartleby.com/215/0419.html.
Aronstein, Philipp. "John Marston als Dramatiker." Englische Studien 20 (1895): 377-396 and 21 (1895): 25-77.
Becker, Hermann Paul. Das Verhältnis von John Marston's "What you will" zu Plautus' "Amphitruo" und Sforza d'Oddi's "I morti vivi". PhD, Halle 1904.
Bednarz, James P. "'Lampatho Doria' as Ben Jonson." Notes and Queries 263 (March 2018): 105-110.
Bednarz, James P. "Representing Jonson: 'Histriomastix' and the Origin of the Poets' War." Huntington Library Quarterly 54.1 (Winter 1991: 1-30.
Bednarz, James P. "Was John Marston the first 'Playwright'?" Notes and Queries 261 (December 2016): 547-550.
Bentley, Gerald Eades. "John Cotgrave's English Treasury of Wit and Language and the Elizabethan Drama." Studies in Philology 40 (1943): 186.
Bevington, David, Martin Butler and Ian Donaldson, eds. The Cambridge Edition of the Works of Ben Jonson. 6 vols. Cambridge: Cambridge University Press, 2012.
Bevington, David. "Christopher Marlowe's Doctor Faustus and Nathaniel Woode's The Conflict of Conscience." The Oxford Handbook of Tudor Literature 1485-1603. Eds. Mike Pincombe and Cathy Shrank. Oxford: Oxford University Press, 2009. 704-717.
Bohm, Arnd. "Wise Blood: Aeneid 3. 22 57 and Marlowe's Doctor Faustus." Notes and Queries 54.3 (September 2007): 248-249.
Bowers, Fredson Thayers. "Ben Jonson the Actor." Studies in Philology 34:3 (July 1937): 392-406.
Bowring, Sir John. "Latin Aphorisms and Proverbs." Transactions of the Royal Historical Society (1872): 82-103.
Brinkley, Roberta Florence. Nathan Field, The Actor-Playwright. New Haven: Yale University Press, 1928.
Burrow, Colin. "Fictions of Collaboration: Authors and Editors in the Sixteenth Century." Medieval and Early Modern Authorship. Eds. G. Bolens and Lukas Erne. Tübingen: Gunter Narr, 2011. 175-198.
Burrow, Colin. Imitating Authors: Plato to Futurity. Oxford: Oxford University Press, 2019.
Campkin, Henry. "The Man in the Almanack." Notes and Queries (3 April 1852): 320.
Carpenter, Frederic Ives. Metaphor and Simile in the Minor Elizabethan Drama. Chicago: Chicago University Press, 1895.
Cathcart, Charles. "'Sir Giles Goosecap, Knight': George Chapman; Poetaster; and the Children of the Chapel." Medieval and Renaissance Drama in England 25 (2012): 42-61.
Cathcart, Charles. "'The Masque being Endid' and The Works of Mr John Marston." Notes and Queries 258 (2013): 538-42.
Cathcart, Charles. "Poetaster and the Prince of Love." Ben Jonson Journal 14.2 (2007): 206-17.
Cathcart, Charles. "Authorship, Indebtedness, and the Children of the King's Revels." Studies in English Literature 1500-1900 45/2 Tudor and Stuart Drama (Spring 2005): 357-374.
Cathcart, Charles. "Ben Jonson and the Dedication of Antonio and Mellida." Notes and Queries 245 (2000): 100-103.
Cathcart, Charles. "Du Bartas' Semaines and John Marston's The Malcontent." Notes and Queries 264 (2019).
Cathcart, Charles. "Edward Greene, Goldsmith, William Marston, Apprentice and Eastward Ho!" Early Theatre 19.2 (2016): 81-99.
Cathcart, Charles. "John Davies of Hereford, Marston, and Hall." Ben Jonson Journal 17.2 (2010): 242-48.
Cathcart, Charles. "John Marston, The Malcontent and the King's Men." Review of English Studies 57 (2006): 43-63.
Cathcart, Charles. "John Weever and the Jonson-Marston Rivalry." Ben Jonson Journal 9 (2009): 235-47.
Cathcart, Charles. "Lampatho's 'Delicious Sweet' in Marston's What You Will." Notes and Queries 254 (2009): 610-612.
Cathcart, Charles. "Lodge, Marston, and the Family of Love." Notes and Queries 248 (2003): 68-70.
Cathcart, Charles. "Marston, Montaigne, and Lady Politic Would-be." English Language Notes 36:1 (1999): 4-8.
Cathcart, Charles. Marston, Rivalry, Rapprochement and Jonson. Aldershot: Ashgate, 2008.
Chambers, Edward Kerchever. The Elizabethan Stage. Oxford: Clarendon Press, 1923.
Christ, Karl. Quellenstudien zu den Dramen Thomas Middletons. PhD [supervised by Emil Koeppel], Strasbourg 1905.
Crawford, Charles, ed. England's Parnassus, Compiled by Robert Allot, 1600. Edited from the Original Text in the Bodleian Library and compared with the two copies in the British Museum. With Introduction, Notes, Tables and Indexes. Oxford: Clarendon Press, 1913.
Crawford, Charles. "Bodenham's Belvedere." The Malone Society Collections parts IV and V. Ed. W. W. Greg. Oxford: Oxford University Press For the Malone Society, 1911. 296-306.
Crawford, Charles. "Edmund Spenser, 'Locrine' and 'Selimus'." Notes and Queries (16 March 1901): 203.
Dent, Robert William. Webster's Borrowing. Berkeley: University of California Press, 1960.
Dillon, Janette. Theatre, Court and City, 1595-1610. Drama and Social Space in London. Cambridge: Cambridge University Press, 2000.
Dorrinck, Alfred. Die lateinischen Zitate in den Dramen der wichtigsten Vorgänger Shakespeares. PhD, Strassburg 1907.
Duckworth, George E. The Nature of Roman Comedy: A Study in Popular Entertainment. Second Edition. With a foreword and bibliographical appendix by Richard Hunter. Norman: University of Oklahoma Press, 1994.
Erne, Lukas. Beyond the Spanish Tragedy. Manchester: Manchester University Press, 2001.
Ernst, Friedrich. The Insatiate Countess, Verhältnis zu den Quellen, Charakterzeichung und Stil. PhD, Königsberg 1913.
Faber, Karl. John Wilsons Dramen: Eine Quellenstudie. [PhD supervised by Emil Koeppel]. Wiesbaden: C. Ritter, 1904.
Geckle, George L. John Marston's Drama: Themes, Images, Sources. Rutherford et al.: Associated Unversity Presses, 1980.
Gehler, Victor. Das Verhältnis von Fords Perkin Warbeck zu Bacons History of the Reign of Henry VII. Halle: C.A. Kaemmerer, 1895.
Gilbert, Hugo. Robert Greene's Selimus: Eine Litterarhistorische Untersuchung. Kiel: H. Fiencke, 1899.
Greg, W. W. "Notes on the Society's Publications." The Malone Society Collections parts IV and V. Ed. W. W. Greg. Oxford: Oxford University Press For the Malone Society, 1911. 285-295.
Greg, W. W., ed. Gesta Grayorum, 1688. Malone Society 40 (1915).
Helmecke, Franz. Die Technik der Sprache in den Tragödien John Marstons. Halle: Kaemmerer, 1907.
Herpich, Charles A. "A Greene-Marlowe Parallel." Notes and Queries 10-6-141 (8 September 1906): 185.
Herpich, Charles A. "Sonnet and Sidney's Arcadia." Notes and Queries VIII (31 August 1907): 164.
Hobart, John Henry. A Study of the Newe Metamorphosis, written by J.M. Gent, 1600. [Sometimes attributed to John Marston, but here to Jervase Markham. With selections.]. New York: Columbia University Press, 1919.
Hoffmann, Adolf. Das Psyche-Märchen des Apuleius in der englischen Literatur. PhD [supervised by Emil Koeppel], Strasbourg 1908.
Hohl Trillini, Regula and Sixta Quaßdorf. "A 'Key to all Quotations'? A corpus-based parameter model of intertextuality."Literary and Linguistic Computing 2010. http://llc.oxfordjournals.org/content/early/2010/05/18/llc.fqq003.
Hunter, George K. "The Marking of Sententiae in Elizabethan Printed Plays, Poems and Romances." Library 5.6 (1951-1952): 171-188.
Hunter, George K. English Folly and Italian Vice. Jacobean Theatre. Ed.Brown and Harris. 1960. N.p.
Hunter, William B., ed. A Milton Encyclopedia. Lewisburg: Bucknell University Press and London: Associated University Presses, 1978-1983.
Keast, William Rea "Killigrew's Use of Donne in "The Parson's Wedding"." The Modern Language Review 45:4 (October 1950): 512-515.
King, Arthur H. The Language of Satirized Characters in Poetaster: A Socio-Stylistic Analysis 1507-1602. Lund: C.W.K. Gleerup, 1941.
King, Ros. "From Tragicomedy to Opera? John Marston's Antonio and Mellida." The Edinburgh Companion to Literature and Music. Ed. Delia da Sousa Correa. Edinburgh: Edinburgh University Press, 2020. 219-233.
Kitchin, George. A Survey of Burlesques and Parody in English. Edinburgh: Oliver and Boyd, 1931.
Koeppel, Emil. "Locrine and Selimus." Jahrbuch der deutschen Shakespeare-Gesellschaft (1905): 193-199.
Koeppel, Emil. Ben Jonson's Wirkung auf zeitgenössische Dramatiker und andere Studien zur älteren Geschichte des englischen Dramas. Anglistische Forschungen. Heidelberg: Carl Winter, 1906.
Koeppel, Emil. Quellen-Studien zu den Dramen Ben Jonson's, John Marston's, und Beaumont und Fletcher's. Erlangen und Leipzig: Deichertsche Verlagsbuchhandlung, 1895.
Koeppel, Emil. Quellen-Studien zu den Dramen George Chapman's, Philip Massinger's, und John Ford's. Karl J. Trübner: Strasbourg 1897.
Koeppel, Emil. Studien zur Geschichte der italienischen Novelle in der englischen Litteratur des sechzehnten Jahrhunderts. Strasbourg: Karl J. Trübner, 1892.
MacLeod, Brock Cameron. "An Unacknowledged Debt to Seneca in the Sejanus Quarto." Notes and Queries 248 (2003): 427.
McCarthy, Dennis. "Sir Thomas North as Sir John Daw." Notes and Queries (September 2007): 321-324.
Murphy, Donna Nielsen. "George a Greene and Robert Greene." Notes and Queries (2012): 53-58.
Murphy, Donna Nielsen. "Locrine, Selimus, Robert Greene, and Thomas Lodge." Notes and Queries 56:4 (December 2009): 559-563.
Murphy, Donna Nielsen. "Look Up and See Wonders and Thomas Dekker." Notes and Queries (2012): 101-104.
Murphy, Donna Nielsen. "The Cobbler of Canterbury and Robert Greene." Notes and Queries (2010): 349-352.
Murphy, Donna Nielsen. "The Life and Death of Jack Straw and George Peele." Notes and Queries (2012): 513-518.
Murphy, Donna Nielsen. "The Repentance of Robert Greene, Greene's Groatsworth of Wit and Robert Greene." Notes and Queries (2011): 223-230.
Murphy, Donna Nielsen. "Two Dangerous Comets and Thomas Nashe." Notes and Queries (2011): 219-223.
Murphy, Donna Nielsen. The Mysterious Connection Between Thomas Nashe, Thomas Dekker, and T. M. An English Renaissance Deception? Cambridge: Cambridge Scholars Publishing, 2014.
Nathanson, Leonard. "Tamburlaine's 'Pampered Jades' and Gascoigne." Notes and Queries (February 1958): 53-54.
Noyes, Robert Gale. "Songs from Restoration Drama in Contemporary and Eighteenth-Century Poetical Miscellanies." ELH 3.4 (December 1936): 291-316.
Oliphant, E. H. C. "The Authorship of The Revenger's Tragedy." Studies in Philology 23 (1926): 157-168.
Ott, Adèle. Die italienische Novelle im englischen Drama von 1600 bis zur Restauration. Zurich: Zürcher and Furrer, 1904.
Parr, Anthony, ed. Three Renaissance Travel Plays. The Revels Plays Companion Library. Manchester: Manchester University Press 1995.
Peery, William. "Eastward Ho! and A Woman is a Weathercock." Modern Language Notes 62:2 (February 1947): 131-132.
Phialas, Peter G. "The Sources of Massinger's Emperour of the East." PMLA 65:4 (June 1950): 473-482.
Ruff, Lillian M. and D. Arnold Wilson. "The Madrigal, the Lute Song and Elizabethan Politics." Past and Present 44 (August 1969): 3-51.
Simpson, Percy. "The Problem of Authorship of Eastward Ho." PMLA 59.3 (September 1944): 715-725.
Stallybrass, Peter. "Against Thinking." PMLA 122.5 (2007):1580-1587.
Stapleton, M. L. "Marlovian Residue in Jonson's Poetaster." Early Modern Literary Studies. Special Issue 23 (2014): 1-26.
Steggle, Matthew. "Varieties of Fantasy in What You Will." The Drama of John Marston: Critical Re-Visions. Ed. T.F. Wharton. Cambridge: Cambridge University Press, 2000. 45-59.
Stritmatter, Roger A. The Marginalia of Edward de Vere's Geneva Bible: Providential Discovery, Literary Reasoning, and Historical Consequence. PhD University of Massachusetts, 2001.
Sühnel, Rudolf. "Vergil in England." Festschrift für Walter Hübner. Eds. Dieter Riesner and Helmut Gneuss. Erich Schmidt Verlag, 1964. 122-138.
Taylor, Gary. "Thomas Middleton, Lording Barry, and The Family of Love." The Papers of the Bibliographical Society of America 93.2 (June 1999): 213-241.
Taylor, Gary. "Thomas Middleton, Thomas Dekker, and The Bloody Banquet." The Papers of the Bibliographical Society of America 94:2 (June 2000): 197-233.
Thorn-Drury, George. "Ben Jonson and Suckling." Notes and Queries 10-12:305 (30 October 1909): 345.
Thorn-Drury, George. "Man in the Almanack." Notes and Queries (18 July 1908): 56.
Tilley, Morris Palmer. A Dictionary of the Proverbs in England in the Sixteenth and Seventeenth Centuries. A Collection of the Proverbs Found in English Literature and the Dictionaries of the Period. Ann Arbor: University of Michigan Press, 1950.
Warton, Thomas. The History of English Poetry from the close of the Eleventh to the Commencement of the Eighteenth Century. To which are prefixed two Dissertations. 4 Vols. London: J. Dodsley, J. Walter, T. Becket, 1774-1781.
Wentersdorf, Karl P. "Imagery as a Criterion of Authenticity. A Reconsideration of the Problem." Shakespeare Quarterly 23.3 (Summer 1972). 231-259.
Whitney, Charles. Early Responses to Renaissance Drama. Cambridge: Cambridge University Press, 2006.
Wiggins, Martin and Catherine Richardson. British Drama 1533-1642: A Catalogue. Oxford: Oxford University Press, 2012-2020.
Wills, Mary M. "Marlowe's Role in Borrowed Lines." PMLA 52 (1937): 902-903.
Shakespeare Studies
Adams, Joseph Quincy, Jr. "William Heminge and Shakespeare." Modern Philology 12:1 (May, 1914): 51-64.
Adler, Fritz. Das Verhältniss von Shakespeare's Antony and Cleopatra zu Plutarch's Biographie des Antonius. Weimar: Wagner, 1895.
Akrigg, G. P. V. "Shakespeare's Living Sources." Queen's Quarterly 65 (1 January 1958): 239-250.
Anders, Heinrich R D. Shakespeare's Belesenheit. Berlin: E. Ebering, 1900.
Anders, Heinrich R. D. Shakespeare's Books. A Dissertation on Shakespeare's Reading and the Immediate Sources of his Words. Berlin: Georg Reimer, 1904.
Armstrong, Edward Allworthy. Shakespeare's Imagination: A Study of the Psychology of Association and Inspiration. London: Lindsay Drummond, 1946.
Babcock, Robert Witbeck. The Genesis of Shakespeare Idolatry, 1766-1799. A Study in English Criticism of the Late Eighteenth Century. New York: Russell and Russell, 1964.
Baker, H. Kendra. "Hamlet, Three Notes [Baker]." Notes and Queries (27 August 1938): 158.
Baldwin, Thomas Whitfield. On the Literary Genetics of Shakspere's Plays 1592-1594. Urbana: University of Illinois Press, 1959.
Baldwin, Thomas Whitfield. William Shakspere's Small Latine and Lesse Greeke. 2 vols. Urbana: University of Illinois Press, 1944.
Barnett, George L. "The Glass of Fashion and the Mould of Form." Notes and Queries 185 (1943): 105.
Bate, Jonathan. "Parodies of Shakespeare." Journal of Popular Culture 19:1 (1985): 75-89.
Bate, Jonathan. Shakespeare and Ovid. Oxford: Clarendon Paperbacks, 1994.
Beardsley Jr., Theodore S. "Isocrates, Shakespeare, and Calderón: Advice to a Young Man." Hispanic Review 42.2 (Spring 1974): 185-198.
Bednarz, James P. "Dekker's Response to the Chorus of 'Henry V' in 1599." Notes and Queries (2012): 63-68.
Bednarz, James P. "Marston's Subversion of Shakespeare and Jonson." Medieval and Renaissance Drama in England 6 (1993): 103-128.
Bednarz, James P. "Review of 'Shakespeare, the Queen's Men and the Elizabethan Performance of History'." Modern Philology 110.4 (May 2013): E243-E247.
Bednarz, James P. "Shakespeare and the Early Modern Culture of Quotation." Shakespeare and Quotation. Eds. Julie Maxwell and Kate Rumbold. Cambridge: Cambridge University Press, 2018. 31-45.
Bednarz, James P. Shakespeare and the Poet's War. New York: Columbia University Press, 2001.
Bennett, Josephine Waters. "Characterization in Polonius' Advice to Laertes." Shakespeare Quarterly 4.1 (January 1953): 3-9.
Bentley, Gerald Eades. Shakespeare and Jonson - Their Reputations in the Seventeenth Century Compared. Chicago: University of Chicago Press, 1945.
Blumenfeld, Samuel. The Marlowe-Shakespeare Connection: A New Study of the Authorship Question. Jefferson: Farland, 2008.
Bowers, Fredson Thayer. "The Pictures in Hamlet III-iv - A Possible Contemporary." Shakespeare Quarterly 3:3 (July 1952): 280-281.
Bowers, R. H. "A New Shakespeare Allusion." Shakespeare Quarterly 4.3 (July 1953): 362.
Bowers, R. H. "Polonius: Another Postscript." Shakespeare Quarterly 4 (1953): 362-364.
Brooke, Nicholas Stanton. "Marlowe as Provocative Agent in Shakespeare's Early Plays." Shakespeare Survey 14 (1961): 34-44.
Brown, Peter. "Chaucer and Shakespeare: The Merchant's Tale Connection." The Chaucer Review 48:2 (2013): 222-237.
Bruster, Douglas. "Comedy and Control: Shakespeare and the Plautine 'Poeta'." Comparative Drama 24:3 (Fall 1990): 217-231.
Bruster, Douglas. "Quoting Shakespeare." Shakespeare and Quotation. Eds. Julie Maxwell and Kate Rumbold. Cambridge: Cambridge University Press, 2018. 72-86.
Bullough, Geoffrey, ed. Narrative and Dramatic Sources of Shakespeare. London 1957-1975.
Bullough, Geoffrey. "'The Murder of Gonzago': A Probable Source for Hamlet." The Modern Language Review 30.4 (October 1935): 433-444.
Burgess, William. The Bible in Shakespeare: A Study of the Relations of the Works of William Shakspeare to the Bible with Numerous Parallel Passages, Quotations, References, Paraphrases, and Allusions. Chicago: Winona Publishing, 1903.
Burrow, Colin. Shakespeare and Classical Antiquity. Oxford: Oxford University Press, 2013.
C., T. C. "Hamlet. Three Notes." Notes and Queries 175 (1938): 114.
Carter, Thomas. Shakespeare and Holy Scripture, with the Version He Used. New York: E. P. Dutton and Co. and London: Hodder and Stoughton, 1905.
Carver, P. L. "The Mind's Eye." Notes and Queries (10 September 1938): 191.
Cathcart, Charles. "Histriomastix, Hamlet and 'The Quintessence of Duckes'." Notes and Queries 248 (2003): 427-431.
Chambers, Edmund Kerchever. Shakespeare - A Study of Facts and Problems. Oxford: Clarendon Press, 1930.
Chambers, Edmund Kerchever. Sources for a Biography of Shakespeare. Oxford: Clarendon Press, 1946.
Charnes, Linda. "Dismember Me: Shakespeare, Paranoia, and the Logic of Mass Culture." Shakespeare Quarterly 48.1 (Spring 1997): 1-16.
Charney, Maurice. "The Voice of Marlowe's Tamburlaine in early Shakespeare." Comparative Drama 31.2 (Summer 1997): 213-223.
Chaudhuri, Pramit. "Classical Quotation in Titus Andronicus." ELH 81.3 (Fall 2014): 787-810.
Clare, Janet. Shakespeare's Stage Traffic: Imitation, Borrowing and Competition in Renaissance Theatre. Cambridge: Cambridge University Press, 2014.
Coffman, George R. "A Note on Shakespeare and Nash." MOdern Language Notes 42.5 (May 1927): 317-319.
Collier, John Payne. Farther Particulars regarding Shakespeare and His Works. In A Letter to The Rev. Joseph Hunter, F.S.A. [...]. London: Thomas Rodd, 1839.
Collier, John Payne. Memoirs of the Principal Actors of Shakespeare. London: Shakespeare Society, 1846.
Collier, John Payne. New particulars regarding the works of Shakespeare. In a letter to the Rev. A. Dyce from J. Payne Collier, F.S.A. London: Thomas Rodd, 1836.
Collins, John Churton. Studies in Shakespeare. Westminster: Archibald Constable, 1904.
Cowl, Richard Paper. "Echoes of Henry the Fourth in Elizabethan Drama." The Times Literary Supplement (22 October 1925).
Cowl, Richard Paper. "Some Literary Allusions in Henry the Fourth." The Times Literary Supplement (26 March 1925): 222.
Craik, Thomas Wallace. "Congreve as a Shakespearean." Poetry and Drama 1570-1700: Essays in Honour of Harold F. Brooks. Eds. Antony Coleman and Antony Hammond. London and New York: Methuen, 1981. 186-199.
Currell, David. "'Away with him! He speaks Latin': 2 Henry IV and the Uses of Roman Antiquity." Shakespeare Survey 69 (2016): 30-45.
Davenport, Arnold. "Shakespeare and Nashe's 'Pierce Pennilesse' I." Notes and Queries (September 1953): 272-274.
Davenport, Arnold. "Shakespeare and Nashe's Pierce Pennilesse II." Notes and Queries 198 (September 1953): 371-374.
Davidson, Adele. "'Some by Stenography'? Stationers, Shorthand, and the Early Shakespearean Quartos.'"Papers of the Bibliographical Society of America 90.4 (1996): 417-449.
De Bruyn, Frans. "William Shakespeare and Edmund Burke: Literary Allusion in Eighteenth-Century British Political Rhetoric." Shakespeare and the Eighteenth Century. Eds. Peter Sabor and Paul Yachnin. London: Ashgate, 2008. 85-102.
de Grazia, Margreta. "Hamlet Before Its Time." Modern Language Quarterly 62.4 (December 2001): 355-375.
de Grazia, Margreta. "Shakespeare in Quotation Marks." The Appropriation of Shakespeare. Ed. Jean Marsden. New York: Harvester Wheatsheaf, 1991.
Delius, Nicolaus. "Brookes episches und Shakespeares dramatisches Gedicht von Romeo and Juliet." Jahrbuch der Deutschen Shakespeare-Gesellschaft 16 (1881): 213-227.
DeMent, Joseph W. "A Possible 1594 Reference to Hamlet." Shakespeare Quarterly 15:4 (Autumn 1964): 446-447.
Dent, Robert William. "An Early Hamlet Echo?" Shakespeare Quarterly 14 (1963): 87-89.
Dobson, Michael. The Making of the National Poet: Shakespeare, Adaptation and Authorship. Oxford: Clarendon Press, 1992.
Dowden, Edward. Shakspere: A Critical Study of His Mind and Art. London: H.S. King, 1875.
Duncan-Jones, Katherine. "Francis Beaumont's Allusions to Shakespeare in The Woman Hater." Notes and Queries (2007): 320-321.
Elze, Friedrich Karl. Abhandlungen zu Shakespeare. Halle: Verlag der Buchhandlung des Waisenhauses, 1877.
Erickson, Peter. Rewriting Shakespeare, Rewriting Ourselves. Berkeley: University of California Press, 1991.
Evans, G. Blakemore. "Nashe and the Dram of Eale." Notes and Queries 198 (1953): 377-378.
Feis, Jacob. Shakspere and Montaigne: An Endeavour to Explain the Tendency of "Hamlet" from Allusions in Contemporary Works. London: Kegan Paul, Trench and Co., 1884.
Fox, Charles O. "Early Echoes of Shakespeare's Sonnets and Passionate Pilgrim." Notes and Queries 198 (September 1953): 370.
Frost, David L. "Shakespeare in the Seventeenth Century." Shakespeare Quarterly 16.1 (Winter 1965): 81-89.
Frost, David L. The Influence of Shakespeare on English Drama 1600-1642. Cambridge: Cambridge University Press, 1968.
Frost, David L. The School of Shakespeare. Cambridge, Cambridge University Press, 1986.
Frost, Kate G. "An Unreported Hamlet Allusion." Notes and Queries 124 (1984): 220-21.
Frye, Roland Mushat. "Five Shakespeare Allusions 1621-1630." Shakespeare Quarterly 20.1 (Winter 1969): 81-83.
Furnivall, Frederick James. Some 300 Fresh Allusions. London: Trübner, 1886.
G. G. L. "The Mind's Eye." Notes and Queries (10 September 1938): 191.
Garber, Marjorie. Shakespeare's Ghost Writers: Literature as Uncanny Causality. New York and London: Methuen, 1987.
Greenfield, Sayre. "Quoting Hamlet in the Early Seventeenth Century." Modern Philology 105.3 (2008): 510-534.
Gurr, Andrew. "A Jibe at Shakespeare in 1606." Notes and Queries 247 (2002): 245-247.
Gurr, Andrew. "Intertextuality at Windsor." Shakespeare Quarterly 38.2 (Summer 1987): 189-200.
Gurr, Andrew. The Shakespearean Stage 1574-1642. Cambridge: Cambridge University Press, 1992.
Habermann, Ina. "Wann denkt Shakespeare an Ovid?" Carmen Perpetuum: Ovids Metamorphosen in der Weltliteratur. Basel: Schwabe, 2013. 149-163.
Halliwell-Philipps, James Orchard. Memoranda on the Tragedy of Hamlet. London: James Evan Adlard, 1879.
Hardin, Craig. "Hamlet's Book." Huntington Library Bulletin 6 (1934): 17-37.
Harrison, G. B. "A New Shakespeare Allusion." Shakespeare Quarterly 8.1 (Winter 1957): 127.
Herpich, Charles A. "The source of the 'Seven Ages'." Notes and Queries 9:212 (18 January 1902): 46-47.
Hibernicus. "The Mind's Eye." Notes and Queries 175:11 (10 September 1938): 191.
Hirsh, James. Shakespeare and the History of Soliloquies. Madison and Teaneck: Fairleigh Dickinson University Press, 2003.
Hogan, Jerome W. "Three Shakespearean Echoes." Notes and Queries 220 (April 1975): 175.
Hohl Trillini, Regula. "Hamlet and Textual Re-Production 1550-1650." Swiss Papers in English Language and Literature (SPELL) 22: The Construction of Textual Identity in Medieval and Early Modern Literature. Eds. Denis Renevey and Indira Ghose. Tübingen: Gunter Narr, 2009. 163-176.
Hohl Trillini, Regula. Casual Shakespeare: Three Centuries of Verbal Echoes. London: Routledge, 2018.
Hunt, Marvin W. Looking for Hamlet. Basingstoke: Palgrave Macmillan, 2007.
Hunter, George K., Zachary Lesser and Peter Stallybrass. "The First Literary Hamlet and the Commonplacing of Professional Plays." Shakespeare Quarterly 59 (Winter 2008): 371-420.
Isherwood, Anne Christine. Shakespeare in Anthologies. PhD King's College London, 2014.
Jackson, MacDonald P. "Shakespeare and Edmund Ironside." Notes and Queries (September 1963): 331-332.
Jackson, Macdonald P. "Shakespeare and the Quarrel Scene in Arden of Faversham." Shakespeare Quarterly 62:3 (2006): 249-293.
Jenkins, Harold. "'Hamlet' Then Till Now." Shakespeare Survey 18: Shakespeare Then Till Now. Ed. Stanley Wells. Cambridge: Cambridge University Press, 1993. 1-14.
Jonas, Maurice. Shakespeare and the Stage With a Complete List of Theatrical Terms Used by Shakespeare in His Plays and Poems, Arranged in Alphabetical Order and Explanatory Notes. London: Davis and Orioli, 1918.
Jones, Emrys. The Origins of Shakespeare. Oxford: Clarendon Press, 1977.
Jost, Jacob Sider. "Hamlet's Horatio as an Allusion to Horace's Odes." Notes and Queries 59.1 (2012): 76-77.
Jung, H. Das Verhältnis Thomas Middletons zu Shakspere. Münchner Beiträge 29. Leipzig: 1904.
Knowles, Richard. "Shakespeare and Shorthand Once Again." PBSA 104 (2010): 141-180.
Koeppel, Emil. "Shakespeares Juliet Capulet und Chaucers Troylus." Jahrbuch der Deutschen Shakespeare-Gesellschaft (1902): 238-239.
Koeppel, Emil. "Shakespeares Julius Caesar und die Entstehungszeit des anonymen Dramas The Wisdom of Dr. Dodypoll." Jahrbuch der deutschen Shakespeare-Gesellschaft (1907): 210-212.
Koeppel, Emil. Studien über Shakespeare's Wirkung auf zeitgenössische Dramatiker. Louvain: Uystpruyst, 1905.
Kopplow, G. H. E. Shakespeares King John und seine Quelle. Kiel: P. Peters, 1900.
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Annotated Editions
Adams, Joseph Quincy Jr., ed. John Mason's The Turke edited from the Quartos of 1610 and 1632. Louvain: A. Uytpruyst, 1913.
Anon., ed. The Female Rebelion. A Tragicomedy From A MS. In The Hunterian Museum University of Glasgow. Glasgow: Printed for Private Circulation, 1872.
Anon., ed. The Plays and Poems of Henry Glapthorne, now first collected, with illustrative Notes and a Memoir of the Author. 2 vols. London: J. Pearson, 1874.
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Bevington David Martin, ed. John Lyly. Campaspe - Sappho and Phao. The Revels Plays. Manchester and New York: Manchester University Press, 1991.
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Bond, R. W., ed. The Complete Works of John Lyly. 4 vols. Oxford: The Clarendon Press, 1902.
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Brooke, C. F. Tucker, ed. The Life of Marlowe and The Tragedy of Dido Queen of Carthage. London: Methuen and Co., 1930.
Brooke, Nicholas Stanton, ed. George Chapman. Bussy D'Ambois. The Revels Plays. London: Methuen. Cambridge (Mass.): Harvard University Press, 1964.
Bullen, A. H., ed. The Works of John Marston. 3 vols. London: Nimmo, 1887.
Bullen, A.H., ed. The Works of John Day Now First Collected with an Introduction and Notes. London: Chiswick Press, 1881.
Bullough, Geoffrey, ed. Poems and Dramas of Fulke Greville. 2 vols. Edinburgh and London, 1938. Cain, Thomas, ed. Ben Jonson. Poetaster. Manchester: Manchester University Press 1995.
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Carpenter, Frederic Ives. Metaphor and Simile in the Minor Elizabethan Drama. Chicago: Chicago University Press, 1895.
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Gair, W. Reavley, ed. John Marston. Antonio's Revenge. The Revels Plays. Manchester: Manchester University Press, 1978, repr. 1999.
Gifford, William and Alexander Dyce, eds. John Ford. Works. With Additions by Alex. Dyce. 3 vols. London: J. Toovey, 1869.
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Halliwell-Phillips, James Orchard, ed. The Works of John Marston, reprinted from the original editions, with notes and some account of his life and writings. 3 vols. London: John Russell Smith, 1856. archive.org
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Hibbard, G. R., ed. William Shakespeare. Hamlet. The Oxford Shakespeare. Oxford and New York: Oxford University Press, 1994.
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Hopkins, Lisa, ed. John Ford. The Lady's Trial. The Revels Plays. Manchester: Manchester University Press, 2011.
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Müller, Wolfgang G., ed. William Shakespeare. Hamlet. Englisch-deutsche Studienausgabe. Tübingen: Stauffenberg, 2006.
Maclean, Hugh, ed. Ben Jonson and the Cavalier Poets. New York: Norton, 1974.
Maclure, Millar, ed. The Poems. Christopher Marlowe. London: Methuen, 1968.
Macray, William Dunn, ed. The Pilgrimage to Parnassus with the Two Parts of The Return from Parnassus. Oxford: Clarendon Press 1886.
Maidment, James and W. H. Logan, eds. The Dramatic Works of Sir William D'Avenant with prefatory memoir and notes. 5 vols. Edinburgh: William Paterson, 1872-1874. Quoted from https://archive.org.
Mallory, Herbert S., ed. Ben Jonson. Poetaster. Edited with Introduction, Notes and Glossary. New York: Henry Holt, 1905.
Malone, Edmond. The plays and poems of William Shakespeare, with the corrections and illustrations of various commentators : comprehending a life of the poet, and an enlarged history of the stage, by the late Edmond Malone, with a new glossarial index. London: F.C. and J. Rivington 1821.
Martin, Matthew R., ed. George Peele. David and Bathsheba. Manchester: Manchester University Press, 2018.
McInnis, David, ed. Thomas Dekker. Old Fortunatus. Manchester: Manchester University Press, 2020.
Melchiori, Giorgio, ed. John Marston. The Insatiate Countess. Manchester: Manchester University Press, 1984.
Miola, Robert S. Every Man in His Humour. Revels Plays edition. Manchester: Manchester University Press, 2000.
Moore, A. T., ed. Love's Sacrifice. Manchester: Manchester University Press, 2002.
Muir, Kenneth, ed. King Lear. The Arden Edition of the Works of Shakespeare. Eighth edition. London: Methuen. 1952.
Muir, Kenneth, ed. Macbeth. The Arden Edition of the Works of Shakespeare. Eighth edition. London: Methuen. 1955.
Mulholland, Paul A, ed. Thomas Middleton and Thomas Dekker. The Roaring Girl. Manchester: Manchester University Press, 1987.
Mulholland, Paul A., ed. Thomas Middleton. A Trick to Catch the Old One. The Revels Plays. Manchester: Manchester University Press, 2013.
Newton, Thomas, ed. Paradise Lost: A Poem in Twelve Books. A New Edition with Notes of Various Authors. 2 vols. London: J. and R. Tonson et al., 1749.
Nibbe, Hunold, ed. The Fleire by Edward Sharpham nach der Quarto 1607 herausgegeben. Louvain: A. Uystpruyst, 1912. Print edition of Hunold Nibbe, ed. The Fleire by Edward Sharpham: kritische Neuausgabe mit Einleitung und Anmerkungen. PhD [supervised by Emil Koeppel], Strasbourg 1911.
Nicholl, John Ramsay Allardyce, ed. The Works of Cyril Tourneur. New York: Russell and Russell, 1963.
Parrott, Thomas Marc, ed. The Plays of George Chapman. 4 vols. New York: Russall and Russell, 1961.
Paster, Gail Kern, ed. Thomas Middleton. Michaelmas Term. Manchester and New York: Manchester University Press, 2000.
Peery, William, ed. The Plays of Nathan Field. Edited from the Original Quartos with Introduction and Notes. Austin: The University of Texas Press, 1950.
Percy, Thomas, ed. Reliques of Ancient English Poetry. Consisting of Old Heroic Ballads, Songs, and other Pieces of our earlier Poets, (Chiefly of the Lyric kind.) Together with some few of later Date. Second Edition. London: J. Dodsley, 1767.
Prouty, Charles Tyler, ed. The Dramatic Works of George Peele. 3 vols. New Haven and London: Yale, 1970.
Rackham, H., ed. Aristotle. Athenian Constitution. Eudemian Ethics. Virtues and Vices. Trans. H. Rackham. Loeb Classical Library 285. Cambridge (MA): Harvard University Press, 1935.
Ribner, Irving, ed. Cyril Tourneur. The Atheist's Tragedy, or The Honest Man's Revenge. London: The Broadwater Press, 1964.
Roper, Alan, ed. The Works of John Dryden. 20 vols. Berkeley: University of California Press, 1956-1989.
Ross, Lawrence J., ed. Cyril Tourneur. The Revenger's Tragedy. Regents Renaissance Drama Series. London: Edward Arnold, 1967.
Rowland, Richard, ed. The First and Second Part of King Edward IV. Manchester: Manchester University Press, 2005.
Rutherford, John, ed. and trans. Cicero's orations, translated into English, with notes, historical, critical, and explanatory. London: T. Cadell and W. Davies, 1799.
Scherer, Hans, ed. Thomas Dekker. Satiro-Mastix or The Vntrvssing of the Humorous Poet. Louvain: A. Uytpruyst, 1907.
Scherer, Hans, ed. Thomas Dekker. The Pleasant Comedie of old Fortunatus. Erlangen and Leipzig: 1901.
Schmid, F. Ernst. Thomas May's tragedy of Julia Agrippina, empresse of Rome. Louvain: A. Uytspruyst, 1914. Printed version of F. Ernst Schmid. Thomas May's tragedy of Julia Agrippina, empresse of Rome. PhD [supervised by Emil Koeppel], Strasbourg 1910.
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